Électre / Oreste by Euripide, directed by Ivo Van Hove, 2019 The title of the article will be modified once the article is completed so that it could align with the overall argumentation. It could be suggested by the writer. Notes-guidelines on the research It should be argued that this performance brings something new to the reception of the ancient Greek drama nowadays. Should be invented clear argumentation about it, based on the various aspects of the performance. Special emphasis should be placed on the role of the chorus and the way it was represented. Which function it served within the context of this performance. Which is the relationship between the two tragedies (the original texts, Oreste and Electre by Euripides) and performance scripts. What interpretation(s) of the play does the performance version offer through these changes? What purpose was served by the combination of the two plays. Some other research questions, among others, are: Which are the main meanings that are produced through this performance. Did it built a bridge between antiquity and contemporary world? In what ways? It should be used theory and update bibliography from the field of theatre performance analysis as well as from the field of Classics. The language of the article should be highly academic. It is expected to be accepted for publishing by an international prestigious theatre journal. Number of words, including citations: not less than 5000. Citations: 30-40. P.S. Needless to say that it has nothing to do with a theatre review.